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Florian Höllerer – Luncheon Presentation on October 21st

Florian Höllerer

Florian Höllerer


Florian Höllerer (Leiter, Literarisches Colloquium Berlin) to give Lunchtime Presentation on Tuesday October 21 @ Noon in 207 East Pyne (lunch provided); please rsvp to ebarth@princeton.edu. Höllerer, a former graduate student in the German Department who was recently named the Director of the prestigious Literarisches Colloquium in Berlin , will speak about the changing status of the German and European Literaturhaus as institution. He describes his presentation, entitled “‘A House Of One’s Own’: Perspektiven des Literaturhausmodells
” as follows:

Literaturhäuser haben in den letzten dreißig Jahren in Deutschland, Österreich und der Schweiz einen wahren Gründungsboom erlebt. Ausgehend von Berlin wurden nicht nur alle Großstädte vom Literaturhaus-Fieber gepackt, sondern auch mehr und mehr mittelgroße Städte wie Kiel, Darmstadt, Magdeburg, Wiesbaden, Rostock oder Nürnberg. Ja, man kann sagen, dass Literaturhäuser ein selbstverständliches Element der urbanen Kulturlandschaft geworden sind – so wie Theater, Museen, Konzerthäuser oder Kinos. Auch in Europa setzt sich das Modell rasant fort, z.B. in Oslo, Kopenhagen, Genf oder London. Über die Jahre hat sich das Selbstverständnis der Häuser – ihre inhaltliche Ausrichtung, ihre Organisationsstrukturen oder ihre Finanzierungsmodelle – mehrfach verändert. Und wie sieht das Literaturhaus der Zukunft aus?

The lunchtime presentation will take place on Tuesday, October 21st at noon in East Pyne 207; please rsvp to ebarth@princeton.edu if you plan to attend. Click here to download the pdf version of the poster.

florian

Media+Modernity | Claus Pias | Friedrich Kittler and the “misuse of military equipment” | October 2, 2014 | 106 McCormick | 4:30pm

MM

When: THURSDAY, OCTOBER 2, 2014 @ 4:30PM
Where: Princeton Department of Art & Archaeology, 106 McCormick
Who: Claus Pias (Leuphana Universität Lüneburg)

“Friedrich Kittler and the ‘misuse of military equipment’: On the Situation of an expression 1964/1984/2014″

This paper will historicize Kittler’s media theory of the 1980s by means of its own media-historical conditions. In so doing, the expression “misuse of military equipment” will play a central role: why is media history at the start of the 1980s conceptualized as a history of mis-use? Why was this figure of thought so obvious at that time? What is the relationship of the mis-use theory and the media-technological apriori? And why have their consequences become problematic for the understanding of digital media (or digital cultures) today?

Roundtable Discussion of Controversial Berlin Memorial Installation

Berlin event
In 1993 a series of eighty colorful signs were mounted on lampposts in the Bayerischen Viertel [Bavarian Quarter] of Berlin’s Schoeneberg district. On one side of the signs there were simple iconic images and on the other side, printed in black and white, condensed versions of actual anti-Jewish Nazi rules and regulations passed between 1933 and 1945. Together, the words and images served as a striking reminder to contemporary inhabitants of the almost-forgotten history of this formerly largely Jewish neighborhood where Albert Einstein and Hannah Arendt once lived. This memorial installation by the Berlin-based artists Renata Stih and Frieder Schnock, documenting the quotidian humiliation of the Jews and the systematic deprivation of their most basic rights during the Nazi era, was inserted into the very fabric of contemporary daily life and was immediately hailed as a powerful –and controversial—intervention. Entitled “Orte des Erinnerns” [Places of Remembrance] it was widely debated and in 2003/2004 was exhibited at the Jewish Museum in New York in the form of a pair of striking lightboxes documenting the placement and content of the signs. The lightboxes were subsequently given by the artists as a generous long-term loan to Princeton University where they were installed in the “Upper Walkway” of East Pyne, an 1897 collegiate Gothic building that housed the University Library until the completion of Firestone Library in 1948 and is currently home to various European Language Departments as well as Classics.
On Monday, September 22nd at 4:30pm in the East Pyne Upper Walkway , adjacent to the installation, the artists will join Kelly Baum (Kaskell Cuator of Modern and Contemorary Art, Princeton Art Museum), Stanley Corngold (Prof. Emeritus, German Dept.) and Michael W. Jennings (Class of 1900 Professor of Modern Languages, German Dept.) to discuss the complex history and continued vitality of this important memorial project. The roundtable, which will take place in English and is free and open to the public, will be followed by a reception.

Natalie Binczek (Bochum) to lecture on Roland Barthes’ “The Preparation of the Novel”

barthesIn conjunction with the 2014 Princeton-Weimar Summer School for Media Studies, Natalie Binczek, Professor of Neugermanistik, insbesondere Theorie und Geschichte literarischer Kommunikation und ihrer Medien at the Ruhr-Universität Bochum and Visiting Professional Research Associate at Princeton’s German department will give a lecture on Roland Barthes’ “La Préparation du Roman.” The talk will explore how this late work by the renowned French literary theorist reflects on both the form of the lecture as well as the relationship between the lecture and literature. Binczek’s talk will take place on Wednesday, June 18th at 7pm in the Rocky/Mathey theater, Rockefeller College and is free and open to the public.

Renowned Filmmaker Harun Farocki to Discuss Recent Work June 17th at 8pm

parkplAs part of the 2014 Princeton-Weimar Media Studies Summer School, the fourth instance of this annual event that brings together graduate students from around to world for a series of intense seminars and workshops, the renowned German filmmaker Harun Farocki will screen and discuss some of his recent work. The event, which is free and open to the public, will take place Tuesday, June 17th at 8.00pm in the Rocky/Mathey Theater, Rockefeller College; early arrival is encouraged as seating is limited.

Harun Farocki, undoubtedly one of the most renowned filmmakers in the field of experimental political documentary, has written, directed and produced a total of over ninety films whose influences can be felt across a wide range of disciplines. Born in 1944, he began his studies at the Deutsche Film- und Fernsehakademie in 1966. Simultaneously he began to do free-lance work for cinema, television, and art spaces, a tri-pronged production strategy he has pursued to this date. The editor of the important German film journal Filmkritik from 1974-1983, Farocki has held numerous academic positions including a visiting professorship at UC Berkeley (1993-1999), a professorship for Media Studies at the Universität der Künste, Berlin (2000-2001), a professorship for Media Arts at the Akademie der Bildenden Künste, Vienna (2004-2011), and a guest professorship at Harvard University in 2011. Farocki’s work has been shown in a wide variety of spaces including the most renowned art museums of the Western world. The influence of his films, writings and multi-screen video installations –which have been shown to date in over three hundred exhibitions – 40 solo shows and over 270 group shows – have made Farocki into an important voice in contemporary art, cinema, and media theory.

Following his participation in CTRL [Space], a vast interdisciplinary exhibition at the Zentrum für Kunst und Medien (ZKM) Karlsruhe curated by Thomas Y. Levin (one of the co-founders of the Princeton-Weimar Summer School), Farocki’s work was also part of another exhibition curated by Levin at the Princeton University Art Museum entitled “Anxious Omniscience: Surveillance and Contemporary Cultural Practice” (January -April 2002).

May Day Lecture by Jürgen Habermas

HabermasThe theorist of communicative rationality and the public sphere, and heir to the project of the Frankfurt School Critical Theory, Jürgen Habermas (Johann Wolfgang Goethe-University, Frankfurt/M.) will give a lecture on International Worker’s Day entitled “The Transnationalization of Democracy: A European Experiment.” The lecture, which will take place on Thursday, May 1, 2014 at 4:30 p.m. in McCosh 50 is sponsored by the Program in Contemporary European Politics and Society and co-sponsored by the European Union Program; the Program in Russian, East European, and Eurasian Studies; and the University Center for Human Values. It will be streamed live at http://www.princeton.edu/webmedia.

Paul Fleming (Cornell) to lecture on Exemplum & Anecdote

The final lecture in the Spring Term 2014 Departmental Lecture Series will be given by Prof. Paul Fleming Prof. of German and Comparative Literature, and the Director of the Institute for German Cultural Studies at Cornell University. The lecture is part of Prof. Fleming’s current research project, tentatively titled “The Perfect Story,” which examines the philosophical use of the anecdote with respect to questions of exemplarity, evidence, and contingency. Fleming describes the stakes of his talk as follows: “In Futures Past, Reinhart Koselleck famously argues that only in the eighteenth century does the collective singular, die Geschichte, emerge to replace the older plural form, Geschichten, the reservoir of exempla by which history served as a ‘teacher of life.’ The demise of exempla, however, also gave rise to the anecdote as a genre uniquely poised at the nexus of the historical and the literary. While equally no longer a ‘teacher of life,’ the anecdote repeatedly challenges the integration of event into a larger context that makes modern universal history possible. This paper investigates the tense relation between the exemplum’s successors, history and anecdote, around 1800, particularly in the work of Heinrich von Kleist.”

fleming

Spring Open House on April 2nd for Potential Undergrad German Majors

Are you a Princeton freshman or sophomore who might be interested in becoming part of the German Department community? Would you like to learn more about the various paths to the German major and/or certificate? Perhaps you were wondering what people who major in German do after graduating (hint: everything from law, medical and graduate school to jobs in finance, journalism, and education)? Come meet faculty and current undergraduate majors for lively discussion and tasty snacks at our annual Spring Open House! We will gather on Wednesday, April 2nd, at 4:30, in East Pyne 207, to talk informally about what makes the German Department such a special and fun place–and about why being a German Major might just be the best way to take advantage of everything that Princeton has to offer. Feel free to bring your pals and to just stop by briefly. We look forward to meeting you.

Spring Open House Flyer Spring 2014

Spring 2014 Graduate Student Symposium

The German Department’s Spring 2014 Symposium featuring the work of three graduate students will take place from 2-5:30pm on the afternoon of Friday, March 7th in the Rocky-Mathey Theater, Rockefeller College. This semester’s symposium will feature presentations by Paul Babinski (“Presentations of Gebärdensprache in Wilhelm Meisters Lehrjahre“), Andrew Dechet (“The Work that Work Does: Arbeit in Rilke’s 1903 Rodin Monograph”) and Anat Benzvi (“Benjamin’s One Hundred Favorite Rascals: The Flâneur, the Hero, and Baudelaire”). There will be a brief response given by a faculty member to each paper, followed by animated discussion.

The biannual event, which is free and open to the public, will be followed by a reception in East Pyne.

Spring-Grad-2014

Tübingen Medievalist to lecture on Heinrich von Morungen

The Department of German is pleased to co-sponsor the visit of Dr. Christiane Ackermann, currently a post-doctoral fellow at Harvard University, who will be delivering a talk on “Self-Reflections in the work of Heinrich von Morungen” as part of the Medieval Studies Lecture Series, “Names, Dates, and Signatures.” Heinrich is one of the most well known authors of medieval German courtly love lyric (Minnesang), poems that typically focused on the poet’s frustrated love for a distant lofty lady. As the attention given this ostensibly external object often masks a narcissistic positioning of the lyric subject, Dr. Ackermann will be exploring different forms of subjective mirroring in Heinrich’s poems as well as the particular signifying function of the gaze in this context. Dr. Ackermann, whose scholarship is informed by a sustained engagement with literary theory (especially psychoanalysis), is the author of Im Spannungsfeld von Ich und Körper: Subjektivität im ‘Parzival’ Wolframs von Eschenbach und im ‘Frauendienst’ Ulrichs von Liechtenstein (Köln/Weimar/Wien: Böhlau, 2009). Dr. Ackermann will also lead a lunchtime seminar/discussion on the often contested relationship between so-called “modern” theory and medieval literature which will take place at noon on Wednesday, March 26, 2014 in 207 East Pyne; lunch will be served. Please contact Yolanda Sullivan to register for the Wednesday seminar.

Ackermann