Empathy and Alienation: Aesthetics, Politics, Culture
HAIn 19- and 20-c. debates that crossed borders among disciplines including psychology, sociology, anthropology, art history, philosophy, and political theory, empathy and alienation emerged as key terms to describe relations among human beings, works of art, and commodities. This seminar addresses the dynamics of empathy and alienation across a range of discourses and artifacts. Our explorations of how empathy and alienation were variously conceptualized in psychological aesthetics, psychoanalysis, and critical theory will aim to open new perspectives on recent debates about identity, affect, and human-animal and human-AI relations.
Scene from a Berliner Ensemble production of Bertolt Brecht’s Mother Courage in Paris, 1957, photographed by Pic, in Roland Barthes, “Seven Photo Models of Mother Courage,” translated by Hella Freud Bernays, TDR, Autumn, 1967, Vol. 12, No. 1, p. 47.
